The Kneeling Art Photography
brings together a dozen photographers with diverse styles, and from different races, opinions and backgrounds to engage the communities of Maine (Immigrant, LGBT +, White, Black, Youth, Adults,
Police, Politicians) in this social justice initiative.
Titi de Baccarat is a multi-facetted artist: Painter, sculptor, jeweler, clothing
designer, writer, photographer, actor... Dedicated to justice in a hostile political context, he was forced to flee his country, Gabon, with only the wealth of his artistic ability. He works, through his African identity and artistic expertise, to contribute to the cultures of Portland and of Maine. He believes that art rehabilitates love, bringing together people of all countries, of all backgrounds, of all cultures, and of all ethnicities.
In Gabon, the art of Titi de Baccarat tells the story of the African continent in
its democratic experiences and the armed conflicts and wars that have cost
millions of lives in Africa.
Through its collection of ethnic jewelry, made with various materials, leather,
wood and assorted metals, celebrates the beauty and the struggle of black
peoples in the face of their oppressors.
His collection of clothes for men and women, inspired by the Siamese twins,
consists of 27 designs focused on solidarity and humanism.
His book, which has not yet been published, entitled “Ancestral sexuality in
the bee forest”, is a collection of erotic African proverbs inspired by his
six-month stay with the Pygmies in the forests of northern Gabon.
In Maine, Titi de Baccarat collects artistic collaborations, art exhibitions and
artistic residencies such as at the University of Maine (Orono), Berwick
Academy, Space Gallery ... His works of art are for the more part an exploration
of his experience as an asylum seeker and black man in the United States: his
pains, his fears, his uncertainties but also his hopes for the future here. In 2020,
he creates works of art inspired by the American political situation and the
evolution/revolution of civil rights for Black people. Two of his works of art including
a photograph entitled ''I can't breathe'' have just been selected by Portland Museum
of Art to be part of the exhibition entitled "Untitled, 2020: Art From Maine In
A______Time ", will open in February 2021.
"John Ochira is a program officer at Maine Community Foundation. John recently worked as a disability benefit specialist at Unum and has served as vice president of the board of Maine Immigrants’ Rights Coalition and president of the South Sudanese Community Association of Maine.
John also served on several nonprofit boards and committees including the Southern Maine Workers Center, City of Portland Community Development Block Grant Allocation Committee.
John is a self-taught photographer with deep passion for community, people, and beautiful spaces. He loves keeping things simple in life and on the job as well. No matter how small or big a project is, John always brings the same passion and dedication to each individual shoot.
John is excited to be part of this project because he cares about social justice. Additionally, he would like to use this opportunity to advance his skills."
"When you consider Ann Tracy's feminist history (she fought to be the first female in a mechanical drawing class in HS in 1968 in Tyngsborough, MA and was the 1st female voice on radio station KTLK doing news in Denver, CO in 1977) it's not surprising that she is involved with The Kneeling Photography Art Project. Tracy has been involved in both feminist and social justice issues since the 1970s.
Ann Tracy (°1951, Waltham MA, United States) is an artist who works in a variety of media including installation, digital art, photography, painting, encaustics, monotypes, video and theatre (actor, director, playwright). She is a native New Englander who grew up in the Maine towns of Fryeburg and Cape Neddick before her family moved south to Massachusetts and then west to Colorado in 1969. After decades of living in Colorado, Wisconsin and California, Tracy is now calling Falmouth, Maine home with her husband, two dogs and cat. She is a member of the Union of Maine Artists, Monotype Guild of New England, Professional Women Photographers, Digital Arts Guild, and Webists International Artists. Tracy's studio is located within Open Concepts Studios and Gallery in Portland Maine.
Her fine art has been exhibited from Japan to Maui to New York City to Spain and Budapest, Hungary. Tracy was chosen as one of the winter 2016 artists in the CSArts Project in Portland. Her art was featured in the July 2013 edition of Artscope Magazine (New England) - Centerfold selection - https://artscopemagazine.com/centerfolds/july-august-2013-centerfold/. She was a 2014, 2015 and 2016 finalist in the Julia Margaret Cameron competition and was invited to exhibit at the 3rd Photographic Biennale in Malaga, Spain, as well as the Berlin Foto Biennial 2016."
John Ripton is a poet, essayist, photographer and historian. His photographs have been exhibited in galleries in New York City, New Jersey and New England. Several of John's photographs have appeared in magazines. In 2010 he had a solo show at the Hunterdon Art Museum in NJ. In 2017 one of his street photographs was selected to represent Duggal Visual Solutions in the New York Art Expo in NYC.
John is co-chairperson of the Union of Maine Visual Artists Portland chapter where he has curated several shows including one featuring the work of Maine immigrants (“Migration Experience – Reflections of Maine Immigrant Artists”) and another highlighting the lives of ordinary Mainers (“The Way Life Is: Maine Working Families and Communities”). More recently, his photographs have been exhibited in several exhibitions in Portland and Augusta. John is now collaborating with other Maine artists on projects and exhibitions planned for 2021.
John has published poetry, essays and articles in newspapers, magazines, and literary and scholarly journals. He holds a PhD in history from Columbia University. John resides in Kennebunkport, Maine. (email@example.com)
Aymar Mpouki is a promising photographer who now lives in Maine. The man who defines himself as a “photographer of life” produces photos imbued with realism, sad poetry and questioning. In 2013, he focused on the history of his country. Turning away from conformism and classic photography He begins to capture life on the streets of Brazzaville (capital of Congo-Brazza) during the ethnopolitical civil war which involved militias representing three political candidates. His risky explorations lead to his first very sensitive work entitled: Brazza Cries. Currently, Aymar Mpouki is focusing on the importance of dream marriage in the African community in Maine.
Dave Wade is a Portland base photographer who previously worked in Asia for
various business and travel magazines. His photos have appeared in the Portland Museum of Arts 2000 Biennial, the Maine Coast Artists Photographing Maine exhibits, the 2016 Maine Photo Project: exhibits at the Barn Gallery and the University of New England Art Gallery, and multiple galleries, His recent solo exhibition of B&W documentary photos, “The Working Waterfront”, showed at the Merrill Memorial Library in Yarmouth in 2018 and was featured in Maine Today Magazine and WCHS TV (<davewadephotos.com>).
Wade is the photographer of two books, The World of Louise May Alcott and The World of the Trapp Family . Dave has served on the board of PACA, the Creative Portland Corporation, and WMPG Community Radio, where he hosts a weekly jazz show on Wednesdays from 1:30- 3PM.
Tim Greenway is a commercial, editorial and fine art photographer living in Maine since 2003. His photography has been featured in a variety of award-winning publications and he is the primary photographer for Mainebiz. During his 24 year career his themes ranged from documentary stories on homelessness and drug addiction to professional sports and architecture photography.
Tim moved from the Midwest to Portland to attend the Salt Institute for Documentary Studies and received his degree in photojournalism from Winona State University in Minnesota.
Amy Granbery Bellezza
The trope of the “indoor house cat” is explored. Autonomous and independent the cat has her or his freedom within limits. They hunt, eat, play and sleep in it. Once worshipped, then hated and now loved again; these are unposed, natural images.
My other work is very personal to me. It started out as escapism, then veered off to adjustment issues and now it’s all about leveling off and narrowing down. I am taking a journey and exploration through my mind, emotions and spirit. There is a psychological bend to all of this; feel free to analyze me. Life is a mystery and I never know what I will become involved with next.
My photography varies from straight photography to photoshop enhanced collages depending on what my idea and purpose is. I will also employ analog and Polaroid to express my intentions. Photography is a medium with many variable expressions, where I can capture and execute exactly what my designs are and create the mood for the piece or series.
I have been exhibited internationally, as part of the Garzoni Challenge in Italy, that was a discussion on the under-representation of women in the arts, and domestically, in both New York and Maine.
I am a member of the Union of Maine Visual Artists and reside in Portland, Maine with my Savannah and Shelter cats. My pastimes include studying the Tarot and developing the witch in me, along with exploring and cooking up vegetarian recipes. My pronouns are she/her/hers.
Kelli LK Haines is a lifelong student of photography. At an early age, her father gave her a camera when she began to have problems with her eyesight. She progressed to the camera she uses now, a 4x5 Crown Graflex. Her neighbor, Todd Webb, taught her how to use it and became her mentor. She studied portraiture with Lucy Johnson and Arnold Newman at the Maine Photographic Workshops, worked as an AP photographer, a commercial photographer and museum curatorial and education.
In 2002, Kelli was awarded the Carina residency ( now MARC)on Monhegan Island, Maine, which opened the door to persue fine art photography full time. She was a photography teacher at UMaine Augusta while she continued to exhibit, having a solo exhibition of 50 of her pieces from her 6 week residency on Monhegan.
Recent achievements include being named to Women in Photography International (2015), the Julia Margaret Cameron Annual international competition : 13th annual First place in portraiture and alternative process (2019) and 15th annual in Series Portraiture and Architectural and Interiors (2020). In 2020 she was awarded the first Alumnus residency to the Monhegan Artists Residency (MARC)
"Rose Barboza is a mother, emerging photographer, organizer, and founder of Black Owned Maine. She grew up in Lewiston and was often confused surrounding topics of her own racial identity. Black Owned Maine has allowed her to root herself in this state and make a name for herself. Her work focuses on telling the stories of those who are often overlooked and under represented by mainstream media. Rose is excited to join The Kneeling Art Photography team and help to create community."
I currently work at a local government agency in racial and social equity and economic development. A lot of my job consists of engaging and connecting with under-resourced community members, including Black, Indigenous and People of Color. I work hard to amplify the voices of marginalized community groups, and lead our government agency on internal and external racial equity work and trainings.
Also, outside of work I'm a community organizer, and hold a series of outdoor workshops that help people understand the local issues happening in Portland, and how to get involved on a local level. I think my experience with community work and engagement will help with your social justice project, as this is the forefront of my personal and professional life. I believe it's not possible to have unity, justice and equality until we address systemic racism and it's structural barriers that exist in all things.
Asherah Cinnamon came to the USA as a child, growing up in Shanghai, Panama, New York City, and Alabama. She found home in the 1980’s in the woods of Maine, which are a source of inspiration, personal solace, and materials for her sculpture and installations. Her studio is built on land taken by violence and genocide and the continued oppression of the Pequawket/Wabanaki People. As the child of survivors of the Nazi genocide, this painful irony does not escape her.
Raised a feminist, with secular Ashkenazi Jewish cultural values, including Justice, Integrity, Forgiveness, Community, and Tikkun Olam (the responsibility to heal the broken world), Cinnamon’s award winning work is increasingly drawn from the stories and rituals of this rich 6,000 year old culture.
Her work has included doing emotional healing through listening projects, 18 years building coalitions with the National Coalition Building Institute, social justice teaching, interactive public art, and social sculpture. Her art has been shown from Beijing to London and from New York to California. She asks, “Why do we wait two generations to become allies with our former “hated” enemies in war? “How can art deepen our capacity as human beings for respect, and compassion for each other and the earth?”.
I am Desiree Nicole Lester. The land we now recognize as Portland, Me is my hometown that I left over 14 years ago. I left with a tightness in my heart because there was no room for my 6ft tall brown body to breathe here. Now that I have had a chance to drink coffee else where I understand that Maine’s roots are Black and I belong here. Letting go and unlearning ain’t easy but I’m working on it. I am Desiree Nicole Lester, Change Maker, Wellness Coach, Artist Advocate and Master Community Builder.
credit photo: Marco Solo
ANITA CLEARFIELD, Producer/Director/Artist, has created many award-winning independent films, documentaries and educational programs about economic, social, and environmental justice issues, including “Olivia Records: More Than Music,” “Vacation Nicaragua,” “Angela Davis: Walls into Bridges,” and “There Ought to Be a Law.” She was a staff producer/director for Maine Public Broadcasting, creating a variety of documentaries and science series. Some of her awards and grants include a Silver Hugo, Chicago International Film Festival; First Place, San Antonio Cinefestival; Festival of New Latin Cinema, Havana, Cuba; and an American Film Institute (AFI) Independent Filmmakers Grant. She is a member of the Artists' Rapid Response Team (ARRT!), was a founding editor of the Maine Arts Journal and is a founder of LumenARRT!, video projections for social change. She holds an M.F.A. from Massachusetts College of Art and Design and is a practicing painter and video installation artist.
Sarah Gormady most recently has been the Operations Director for NextGen America turning out youth voters. She is a solo aerial and circus arts performer and has danced with the Dark Follies. Sarah has worked on the intersection of body and politic since her undergraduate independent research in Russia with Memorial Society, and has continued her studies and work through today with academic research and performance
Natasha Mayers has been called “the heart and soul of activist art in Maine.” She is widely known for her work supervising more than 600 school and community murals from Maine to Nicaragua. For the past 35 years, she has been creating parade “floats” for the local Whitefield 4th of July parade. She has been a Touring Artist with the Maine Arts Commission Artist-in-Residency Program since 1975. She has taught students from nursery school to college and in diverse populations: immigrants, refugees, prisoners, the homeless, and the “psychiatrically labeled,” with whom she has worked since 1974, and has organized many exhibits of their artwork.
Natasha was awarded the Individual Artist’s Fellowship from the Maine Arts Commission in 1998, the “Artists Projects: New Forms Award” from New England Foundation for the Arts, and the Zorach Scholarship to the Skowhegan School of Painting and Sculpture in 1976. Natasha was selected to be the “Millennium Artist” for the State of Ohio, in the national residency program Artists and Communities: America Creates for the Millennium (a White House/National Endowment for the Arts project with one artist chosen for each state).
She is a long-time member of the Union of Maine Visual Artists (UMVA), a statewide organization to advocate for artists. She has worked with other members to organize exhibits on such themes as homelessness, “Columbus and the New World Order,” militarization, economic conversion, and mental illness.
Natasha founded ARRT! (the Artists' Rapid Response Team) in 2012, an artists' collective that meets monthly, creating over 400 banners, props and yard signs for most of the progressive organizations in Maine. She co-founded and is editor-in-chief of The Maine Arts Journal: Union of Maine Visual Artists Quarterly.
Exhibiting work since 1976, she often explores themes of peace and social justice. Her work was shown in 2003 at the Portland Museum of Art exhibit Mapping Maine: Four Contemporary Views (Jacquette, Cady, Hopkins, Mayers) and at Aucocisco Gallery in Portland, she exhibited her Endless War maps.
She showed her Bankster series at SPACE Gallery in Portland, and in 2015 had a show at the Maine Jewish Museum of her Men in Suits paintings, reviewed in Hyperallergic, followed by Men in Suits/Men in Trouble exhibit (with Kenny Cole) at Harlow Gallery in 2018. In 2020, her War Chests series was featured in I Am An American, a group show at the Cove Street Gallery in Portland.
For one year, Natasha made a daily artwork that appeared on the progressive news site, Common Dreams.org, which commented on current issues and reached a daily audience of 150,000.
Her portrait was painted by Robert Shetterly as part of his Americans Who Tell the Truth series (www.americanswhotellthetruth.org), featuring her words: “We need artists to help explain what is happening in this country, to tell the truth and reveal the lies, to be willing to say the emperor has no clothes, to create moral indignation, to envision alternatives, to reinvent language. We need artists to help us come together and share our voices and build community around powerful issues concerning our roles in the world and our planet’s survival. Compassion must be translated into action.”